Dracula is without question the most famous vampire in fiction. Based on Bram Stoker's interpretation of Eastern European vampire myths and with a very tenuous relation to the 15th-century historic figure Vlad the Impaler (called Draculea in Romanian) the story of the blood-sucking fiend and his mysterious quasi-sexual allure coupled with the terror of turning his victims against those who dare to fight him have shocked, delighted and fascinated readers throughout the world since the 1897 publication of the novel by British-Irish author Bram Stoker.
This page is primarily about the fictional character, but not only does Dracula have real antecedents, but his myth has come to prey upon them.
The original 1897 novel is set in numerous places throughout England and continental Europe - largely areas under the control of Austria-Hungary at the time. While Stoker did meticulous research with the written material available to him (railway timetables are accurate to the minute and geography is generally as reliable as the maps he used), the author never actually visited most of the continental locations in his novel. By contrast, he knew the English settings well and had to expect his intended audience would, too, so those descriptions are usually pretty spot on for the era.
A reader revisiting the original Dracula novel may be surprised to find several of the tropes now associated with the character absent - Dracula is only weakened by sunlight, not defeated by it, and unlike the endless sequels of some of the film adaptations in the books Dracula's "death" or rather destruction is final. Stoker also makes heavy use of quasi-religious symbolism and the prejudices and moral mores of his time.
The main characters of the novel - Jonathan Harker, a plucky everyman and young solicitor who is hired by the Count to facilitate his move to England; Mina Harker, Jonathan's fiancée and a "strong female character" avant la lettre; Dr. Abraham van Helsing, a Dutch Doctor with broad medical knowledge (albeit none about blood types) and surprising command of both the German language and Vampire lore - travel through Europe largely by train, throwing bribes at every problem along the way not caused by vampires. Money they can afford to pay through the fortune of side characters Quincey Morris, an eccentric rich American, Arthur Holmwood (Lord Godalming) and the head of an insane asylum, Dr. John Seward who called Dr. van Helsing onto the scene to get into the strange illness and ultimate death of Holmwood's fiancée Lucy Westenra and the peculiar behaviour of his patient Renfield.
The subject of Dracula was very soon picked up for stage and movie adaptation with perhaps the most famous and enduring a blatant German copyright violation - the 1922 silent film Nosferatu - A Symphony Of Horror. While the Count's name had been changed from "Dracula" to "Orlok" and the - now iconic - animalistic look of Count Orlok in the classic of German expressionist cinema has nothing in common with the moustachioed old man who is visibly rejuvenated with the consumption of blood in the novel, the heirs of Stoker sued for copyright infringement. This lead to almost all copies of the movie being destroyed - ironically the only one to survive was an American copy as the American movie industry at the time was unwilling to enforce foreign copyright claims.
One of the first stars whose portrayal of Dracula would become iconic was Bela Lugosi, a Hungarian who fled his native country in 1919 after the Hungarian Soviet Republic collapsed (Lugosi was a lifelong leftist). He added a certain elegance to the horror and his Hungarian accent has become part of the stereotypical image of "classic" Dracula even if many parodies focus on features actually not present in Lugosi's speech. The film Dracula was released in 1931, the same year as the first internationally-successful film adaptation of Frankenstein, starring Boris Karloff as the nameless monster. At least since then, these two horror stories have been associated with each other.
Another horror movie actor who would give his own suave style and gravitas to the Dracula canon would be the Englishman Christopher Lee who mostly portrayed villains and the blacker side of morally-grey characters throughout his decades-long career.
The original Dracula was Vlad III of Wallachia (born between 1428 and 31, died 1476 or 77), better known as Vlad the Impaler, Vlad Țepeș. His father Vlad II was a Knight of the Order of the Dragon (Dracul), so the son was the little dragon, Dracula. Romania in that era was three kingdoms: Transylvania to the north, Wallachia to the south and Moldavia to the east. Vlad was born in Sighișoara in Transylvania but as ruler of Wallachia, he was often at war with Transylvania, allying himself to the Ottoman Turks. He didn't suck blood, but he impaled his foes on spikes in industrial-going-on-genocidal numbers. The principal associations and bases for exploring are around Sibiu, Sighișoara, Brașov and Bran. So while people there are aware of their real heritage, they also know where their tourist bucks come from, and play upon the fiction. Every street artist and beer-cellar themed dinner is howling in the night: "Give us your euros, it's our life blo . . o . . od!"
Get in if you can on the Transylvania Express, which trundles daily from Budapest via Arad (worth missing) to Sibiu and Brasov. (The stricken heroine Mina Harker née Murray knows the timetables off pat, thanks to Bradshaw's Continental Railway Guide.) The Express is a daytime train, and you can also take sleepers, which are prone to halt in the middle of the night in forest clearings, washed by a cadaverous moon. You may even see a bear or a wolf, and other creatures flit half-seen through the shadows. Some of them - especially the bats - carry rabies, and one tiny bite may sunder you from all that you've been, to become a slavering thing feared and shunned by mankind. The silence is broken by a tapping, and a sepulchral voice from the corridor: "Tickets please!"